fiction
Flakes of Fire, Bodies of Light
by Carlos Ojeda Aureus
In the beginning there were not coldness and darkness: there was the Fire.
Teilhard de Chardin, Hymn of the Universe
TANYA agreed to allow her husband to die
at home, but when he lost consciousness, she panicked; she phoned for
an ambulance. “I can’t do it, Sid, she kept telling him inside the ambulance.
“I can’t do it.”
The screaming wagon careened right and left as it weaved its way through
the early streets of Naga City. When it reached the back door entrance
of Mother Seton Hospital, Tanya disembarked first and supervised the transfer
from stretcher to hospital carriage. She stood alongside her husband to
make sure he reclined securely, steadied the carriage when the crew wheeled
it noisily through the corridor, steadied the carriage some more when
it turned a right angle, steadied it again as it rammed the swinging doors
of the emergency room where Dr. Go, the resident physician, stood by waiting.
The dizzying activity of hospital business confused her. She found herself
signing papers, taking down instructions, buying vials from the pharmacy.
When she returned to the room, a surgical nurse had already swabbed Sid’s
shaven head, neck, and chest with a disinfectant, then painted the entire
area with tincture of iodine. Tanya was sure Sid had opened his eyes to
protest what was going on, because at this moment the anesthesiologist
lunged forward to knock him out with sodium thiopental.
After doing this, the team transferred the patient to the nearby catheterization
section where they inserted a rubber tube through his trachea down to
his lungs. Then they attached the same tube to a flexible hose fastened
to a machine.
They punctured his body with intubated needles and drew long incisions
in the legs and thighs, before they wheeled him into the operating room
where the surgeon, his arms resting on green-draped armrests for maximum
steadiness, gripped a scalpel, took aim, and slit open the patient’s
neck right under the jawbone so the team could work directly on the insides
of the throat.
The battle to save Sid’s life lasted till noon. As soon as they
closed him up, Dr. Go emerged from the operating room and announced to
Tanya the success of the operation: after extensive mouth surgery, he
said, they were able to save her husband’s life.
At the Intensive Care Unit, Tanya asked the surgical nurse who monitored
Sid’s vital signs why the shape of her husband’s face had
changed. The nurse assured her the disfigurement resulted from the removal
of certain affected parts. Tanya asked what these affected parts were,
and the nurse named over the tongue, the larynx, the jawbone, some tissues
in the neck; but told her not to worry but be thankful her husband was
alive.
Why? Sid’s eyes said it all when he came out of sedation. Why?
His head throbbed and his nose bled from the nasal tubes. Why.
“I’m sorry, darling,” Tanya kept repeating. She stroked
his arm to explain to him what had happened, but he lapsed back into unconsciousness.
Ramon, the electrician at the telegraph office where Sid worked, arrived,
carrying a vinyl chair for Tanya. He checked out the bottles and tubes
while Tanya sat and stared blankly at the encephalogram.
***
EARLY that year, after his biopsy had determined terminal cancer, Sid
and Tanya had made up their minds to refuse surgery and further hospital
treatment, and allow Sid to die at home. He told her he was ready: he’d
lived a good life, and now that it was ending, like everything else must
end, he accepted it and resigned himself to the inevitable. When the time
came, he had entreated Tanya, his only favor from her was to promise him
not to prolong his life unnecessarily—no surgery, no artificial
gears—but to allow nature to take its course. He had no regrets,
he had told her: the years they’d been together were the time of
his life. “And to think everybody in Naga predicted our marriage
would not last,” eh had quipped. “But look at us now—ten
years and still very much in love.”
Nobody in Naga had approved of their relationship. Tanya’s parents
categorically opposed the idea of their daughter marrying a man older
than they. Her sodalist friends were leery of the old goat (Has Naga run
out of young, eligible bachelors?). The Sisters of Charity frowned on
the mismatch not so much over the age-gap but over this lecher’s
wrecking the plans—better plans—they had laid out for her.
Tanya had graduated magna cum laude from the Colegio de Santa Isabel,
and the nuns had already groomed her up for the convent, an invitation
she kept postponing even after graduation. In the meantime, she taught
College Physics at the Colegio.
None of the Ateneans her age dared court her. Not that she had a wallflower
face (the boys chased her classmates whose faces, according to Doña
Choleng of the CWL, could stop a clock). Far from it. She had a clean,
freshened-up face that required no make-up—a cross between Marlene
Dietrich and Saint Catherine Laboure—and a whistle-bait figure (firm
turned-up breasts, deliriously huggable curves, straight long round legs)
not even her Mary-like dress could conceal. The boys steered clear of
her because she found them trivial and corny—and she showed it.
She had a talent for wearing that long, sack-cloth-and-ashes face whenever
the Ateneo boys were around, and a genius for compelling everyone to act
medieval whenever she was around. She had built a wall around herself
that was as impregnable as the Colegio’s of the 50’s no Ateneo
braggadocio nor Jesuit jokes could break down. To enter her required an
inside job. Even then, it was no guarantee of winning over is Manhid.
They met because Sid’s niece Margot became Tanya’s student,
and Margot had employed aggressive selling techniques to pressure her
uncle dear to buy a sponsor ticket the nuns had dragooned each graduating
student to dispose of for the school’s presentation of Rodgers and
Hammerstein’s The King and I. Tanya herself led the usherettes on
gala night. She welcomed him at the entrance (Margot’s uncle? I’m
very pleased to meet you, sir), praised his niece’s class performance
(Took after her uncle, right, sir?), inquired about his huge private library
and collection of 75 rpm records (Margot told me a lot about you, sir),
and escorted him all the way down the front row of the CSI Auditorium.
When he went home that evening, Margot wondered why her usually caustic
self-proclaimed opera expert critic uncle mentioned nothing of the musical
but bombarded her instead with questions about her Physics teacher.
Nobody in Naga had expected Sid to marry—including Sid himself.
His former classmates in the Ateneo de Naga had all gotten married, many
of them to each other, as evinced by the familiar pairs who attend AdeN
Alumni Homecomings yearly. Marriage had never crossed his mind, not even
during Fr. Bob Hogan’s Marriage Guidance class in the old days.
He gave three reasons: First, because as a student, the Jesuits had taught
him that God and studies came first: Primum Regnum Dei. Second, after
graduation, because Ignatius of Loyola, whose own hour of grace arrived
late in mid-life, taught him that late vocations to the Order were not
impossible. And third, after he passed the “Cape of Good Hope”—and
Camus had replaced Ignatius—because marriage was an institution,
and only absurd people lived in institutions.
Tanya changed all that.
Sid knew nothing of Physics but a lot about old-fashioned tactics: he
opened doors, stood up every time she entered the room, walked on the
outer curb of the sidewalk. He came from a different world. He courted
her with roses and haranas of Sarung Banggui under her verandah. He comported
himself like an Atenean of the fifties, an Alter Christus who did everything
for the greater glory of God, exuding good manners and right conduct that
showed even in the way he dressed—the white bucks of Pat Boone—differently
but immaculately.
This neatness in thought, word, and deed charmed her. He was different.
He told her about the world where he came from, and it fascinated her.
In the fifties, he said, they built houses in Naga with neither grills
nor bars, and they slept with open doors and windows (this last one was
beyond her). During their Saturday afternoon hiking paseos (the hell with
Naga’s chismosas) on their way to mass at the old Peñafrancia
Shrine, he’d point out to her the areas where the old sites once
stood: Bragais Studio, the Esso gasoline station (put a tiger in your
tank), the Macandog dormitory, Radiowealth, Tolentino’s barbershop,
Bib’s tailoring. None of them stood in their proper places anymore.
Then he’d tell her about the Hula-Hoop, Sarsaparilla, monggo con
hielo at K. Mori, the Queen Anne lollipop, Tootsie Roll, the Howdy Doody
comic books, Sputnik, so she’d get an idea of Naga’s past.
More important, during these paseos, he’d sing to her the songs
of Nat King Cole, then ask her, between songs, if it were true “as
they say” that he sounded like the Unforgettable Cole himself (smooth
as silk ba? Soft as velvet ba?), and she’d say iyo na, sigue na
emboldening him to sing to her in succession “Mona Lisa,”
“Pretend,” “Once in a While,” “The Very
Thought of You,” and “Quizás, Quizás, Quizás”
all the way to the door of the Church. One day, he asked her why she never
sang along with him, and she said she did not sound like Nat King Cole.
So he told her he collected other records too like those of Jerry Vale
and Vic Damone and The Platters and The Four Aces and Tony Bennett (ah,
that King of Broken Hearts); but she said how about the women singers,
and he said he knew their songs too, so he taught her the songs of Doris
Day and Joni James and Sarah Vaughan and Patti Page and Patsy Cline and
Dinah Shore, and before long she found herself singing along with him
“Que Será Será,” “Secret Love,”
“It’s Magic,” “Crazy,” “I’ll
Be Seeing You,” “Hi-Lilli, Hi-Lo,” “Days of Wine
and Roses” as they walked to Church. On the way home, however, their
signature song was always “Walking My Baby Back Home.”
He sang and he lectured. He seemed to know everything about what he called
the good old pre-Conciliar Naga. Very soon she had in her fingertips names
like Ingemar Johansson and Floyd Patterson, Rogelio de la Rosa and Carmen
Rosales, Sandra Dee and Troy Donahue—all the way down to John F.
Kennedy, the Peace Corps in Naga, Robert McNamara, Lyndon Johnson. His
sense of history, however, ended in 1965, on the Feast of the Immaculate
Conception, to be exact, when Vatican II came to a close and the Church
started changing the liturgy.
This intrigued her because he would not explain why he refused to update
his history after that; and the more she asked him about this, the more
he intrigued her. He was like sin: at first she resisted, next she yielded
a bit, then she liked it, finally she embraced it.
And so they got married and so they raised two daughters: Marlene and
Lana. They rented an apartment in Barlin Street and designed the interior
in the ambience of the fifties. He worked in the telegraph office and
she held on to her teaching position at the Colegio. To augment their
income, she threw Tupperware parties. Naga accepted the age-gap and allowed
them to live as ciphers, but when they came home, they danced the Cha-Cha
(move over Arthur and Kathryn Murray) and sang the songs of Sarah Vaughan
and Nat King Cole and prayed the Rosary nightly—for thanksgiving,
she’d insist, not for favors, for her cup runneth over.
That was why the diagnosis caught her by surprise.
It all started with a persistent sore throat and hoarseness. He relieved
the sore throat by chewing lozenges in the office and gurgling warm water
and salt at night. The hoarseness, however, would not go away. After a
couple of months, Tanya noticed a swelling on the right side of his neck,
but he paid no attention to it (just tonsillitis or mumps) until his nose
started to bleed when he sand. When the lump increased in size, Tanya
insisted they go see Dr. Go immediately.
The physician looked at Sid’s throat with a small mirror. When
he used a laryngoscope to look deeper, Tanya’s pulse quickened.
Dr. Go suggested more tests. After a series of X-rays and scans, they
physician advised a biopsy.
When Sid awoke from the surgery, Dr. Go told him that the laboratory
results would be in by next week. Meanwhile, he advised Sid not to worry
because they had ascertained nothing yet, and besides, he assured the
couple, most biopsies turn out to be benign.
They braced themselves up for the longest week in their lives. More important,
they doubled their prayers. By the end of the week Dr. Go rang them up
and asked them to come to his clinic immediately.
Dr. Go’s facial expression said it all. Sid’s condition was
far more serious than he had feared: infiltrating squamous cell carcinoma,
said Dr. Go. The leech had seized the epithelium of his jugular vein and
slowly choked his carotid artery. The remedy: a series of cobalt radiations
on his neck and head, and chemotherapy to contract the swelling, and later,
within six to eight weeks, radical neck surgery to remove the malignancy.
He also advised Sid to stop singing.
The first thing Sid thought of was the children. What would happen to
Marlene and Lana? They were only in elementary school. To leave them this
early would be cruel. In fact, together they had already planned up their
lives: Marlene, the bookworm, wanted to take up literature, and Lana medicine
(although the younger looked forward more to her forthcoming birthday
party with the usual barquillos and ice cream and balloons and games and
Daddy’s magic tricks). Apart from this anxiety of disappointing
his little girls, Sid did not go through the stages of denial, anger,
bargaining, depression characteristic of the terminally ill, but accepted
his condition in a spirit of total resignation that amazed everyone including
Dr. Go himself who couldn’t help admiring him for taking it all,
in Sid’s own word, philosophically.
Tanya did not. The death sentence crushed her. Morbid thoughts plagued
her. Was God punishing her for turning her back on the convent? What sin
had she committed that God was now robbing her of the only happiness in
her life? Eventually she lost her appetite and will to live. She avoided
socials and canceled the Tupperware parties. She also stopped singing
to her husband. One night, returning home from school, she felt a black
veil drop over her face, shutting from her the sights and sounds of Naga.
This numbness happened every night. Daytimes were normal, but as soon
as evening fell, she experienced difficulty in seeing, as if she looked
through a veil—darkly. Like night blindness. Like Naga’s brownouts.
On really bad nights, even her hearing suffered: she felt as if corks
were plugging her ears, as if she were listening to their old phonograph
with defective speakers.
In the meantime, Sid acquiesced to it all: he wore a plastic mask so
he would not move when they bombarded him with radiation; he sat through
every new fitting to re-adjust the mask; he closed the lead door docilely
every time they gave him the signal.
He put up with all the side effects of the treatment: diarrhea, fatigue,
nausea, mouth and throat sores. The radiation burned one side of his face
and dried up his saliva and caused his hair to fall out. His teeth decayed,
and his skin peeled and changed color. He lost all appetite and vomited
daily.
After a month and a half, Dr. Go decided to open him up. Sid stared at
the X-ray photos showing the shaded areas marking the tumor, as the doctor
explained to him the details about the forthcoming surgery: he’d
remove the tongue starting from here, yank out the jaw bone under that
area there, slice off the inner parts of his throat from here to there.
That was when Sid decided to die at home—in one piece.
Tanya opposed the idea. It is suicide, she unleashed her grab-bag of
arguments inside the trimobile on their way home, life is a gift from
God, if you refuse treatment you are transgressing God’s authority
over life, the Church commands us to preserve life at all costs. The Church
especially backed him up, Sid whispered back hoarsely when he reached
home and found his reference books on the subject. He showed her Augustine’s
Confessions and let her read the part where the saint pleaded for a keener
awareness of death; he showed her Pius XII’s 1957 address to the
International Congress of Anesthesiologists where the Pope said that although
the physician had the obligation to use all ordinary means of preserving
life, there was no obligation to use extraordinary means; he showed her
the quotation from Paul VI who said that heroic measures were not indicated
in hopeless situations; he showed her Iura et Bona and asked her to read
aloud the last paragraph under “Due Proportion in the Use of Remedies”:
When inevitable death is imminent in spite of the means used, it is permitted
in conscience to take the decision to refuse forms of treatment that would
only secure a precarious and burdensome prolongation of life.
But none of the above placated her: it is not for lay persons like us
to interpret Church teachings, she insisted, no person has jurisdiction
over his life, our dominion over it is one of stewardship only, nobody
has the right to end his life on his own authority because that authority
is God’s alone who is the absolute author of life, and do not forget
that Canon law imposes Ecclesiastical penalties on those who practice
euthanasia. And what about Evangelium Vitae? You did not show me Evangelium
Vitae.
“Then get Evangelium Vitae,” he said in a barely audible
whisper.
So that afternoon, during her vacant period, she dropped by St. Paul’s
Bookstore to buy Evangelium Vitae, the Pope’s latest and strongest
encyclical so she could show to Sid how the Pope condemned the “culture
of death” as a sign of the defeat of the culture of life. Sid read
it avidly, then asked her to read aloud the second paragraph of section
65:
Euthanasia must be distinguished from the decision to forego so-called “aggressive medical treatment,” in other words, medical procedures
which no longer correspond to the real situation of the patient, either
because they are by now disproportionate to any expected results or because
they impose an excessive burden on the patient and his family… To
forego extraordinary or disproportionate means is not the equivalent of
suicide or euthanasia; it rather expresses acceptance of the human condition
in the face of death.
That silenced her. Her Church, the One Holy Roman Catholic and Apostolic
Church, the Church that had promised to lead her back to heaven, had spoken
through the Pope, and spoken out loud and bold. So he stayed home and
refused all medication save the anodynes which a private nurse administered
daily. The children, meanwhile, transferred temporarily to their maternal
grandparents’ home. Unlike Dylan Thomas, he whispered to the tearful
Marlene who liked modern poetry, he would not rage against the dying of
the light; instead, he would go gentle into that good night.
Until that morning. Before the private nurse had reported for duty, he
jerked and arched like a fish out of water. Tanya tried to stabilize him,
but when he lost consciousness, she panicked and called for the ambulance.
***
SHE stared at the encephalogram. The small, luminous objects darting on
waves along the dark background reminded her of the measured cadences
of Sid’s old songs. She knew Sid missed the music from the old phonograph,
but she could not bring the thing here: even private radios were not allowed
in the ward.
She stared again at the encephalogram: the small, luminous objects darting
on waves along the dark background hinted to her the transcience of it
all. How short life is, she mused, as each flake appeared and disappeared
on the screen so fast it hardly had time to say hello. One flake entered
her life ten years ago and now this one’s going away so soon she
wished she could hold on to it and stay its disappearance (for at least
a few more years, perhaps? Until the children were grown up, perhaps?).
Sid was a flake all right, but a very special flake among the millions,
could the Fates and Furies make an exception just this once to a special
flake whom she loved without reserve, absolutely without reserve?
Well, almost, she smiled amusedly. Two things she did not understand
about him, two peccadilloes. The first was his sense of humor. Once in
Farmacia Uy to buy alcohol, he had said to the saleslady in front of his
wife: ‘Knock-knock. Who’s there? Alcohol. Alcohol who? Don’t
call me, I’ll call you.” And he laughed out so loud Tanya
looked sheepish trying to extricate herself from the embarrassing situation.
In another instance, when Lana was doing her Biology homework, he asked
his youngest daughter to use Anatomy in a sentence. None of her sentences
pleased him, until she said “sirit” and he gave the “correct”
answer: “Bring back my Anna to me.”
Tanya could not quite understand how a person his intelligence fussed
over picayune jokes. He had a profusion of them. She could take Bob Hope
or George Burns, but not this type of jokes. But nothing really puzzled
her more than the ad he paraded in the sale one morning that showed a
fair-skinned teen-aged girl inviting everyone to try this new skin whitener
lotion because it had worked on her to the effect that she obtained dramatic
results after only four weeks’ application. He laughed out so loud
when he showed the ad to her he almost tore up the newspaper. Exasperated,
Tanya asked what on earth was so funny about it. He said he gave up on
her, but if he died ahead, eh wanted her to remember him for this particular
ad, in fact he’d see to it, he said, his shoulders now shuddering
in uncontrollable guffaws, that he’d come back to her in the form
of that ad three days after his death—ha-ha-hala ka, Tanya—so
she’d know he was alive and laughing on the other side and she’d
stop all the silly mourning for him.
That was the first time he mentioned death.
The second thing that puzzled her was his attraction to Hinduism. Catholicism
resembled Hinduism, he once said, inn color, fire, and ritual—until
the Second Vatican Council denatured it. Lucky Hindus, he said, who never
had a Council. Then he told her the reason why he refused to update his
history beyond 1965: He never quite got over the changes in the Church,
he said. He believed that ritual was sacred, and anything sacred needed
a special language—Latin for Roman Catholicism—and special
music—Gregorian—and special vestments to express itself. He
disagreed with the reformers’ opinion that you had to understand
every ritual in order to appreciate it. Do the Hindus understand their
mantras? Latin was full of mantras, but it was not their meaning as much
as the sound that mattered, for the idea was to raise one’s consciousness
to an altered state of worship and not reach out and shake hands like
the way the Naga Lions Club members conduct their meetings.
More important, he said, he liked Hinduism because, like Catholicism—and
unlike Protestantism—it did not mind bringing God too close to nature,
a tendency that made Paul Tillich very nervous. He likened Protestantism
to Buddhism: pure, ineffable, simple, abstract, transcendent, dry. Pre-Conciliar
Catholicism, on the other hand, with its fiestas and processions and angels
and patron saints and stained glass windows, was baroque. So he was going
to be faithful to Trent.
That was fine to Tanya as far as it went—until he brought up the
topic of the Hindu practice of cremation. Only then did she realize he
was that interested.
Sid himself designed the first crematorium in Naga. Ramon, Sid’s
electrician at the telegraph office, installed the wirings for the blowtorches.
In an interview with local newsmen during the ribbon-cutting ceremonies,
Sid had specified the shortage of land in Naga, the exorbitant prices
of burial services, and the overcrowded cemeteries as the reasons why
he built the Naga Crematorium. Cremation, he said, was not only economical
but also swift and hygienic, because there was no slow process of decomposition
to worry about. For starters, he said, he had written a will requesting
that his body be cremated and his ashes scattered in the Bicol River.
In spite of the fact that the crematorium had been completed months ago,
no cremation had occurred in Naga. This surprised Sid especially when
the local clergy had neither opposed nor encouraged the idea as a result
of Vatican II’s lifting its prohibition of the practice as intrinsically
evil and incompatible with Church teaching. Later, he discovered the real
reason behind Naga’s reluctance: Nagueños feared that cremation
might interfere with the resurrection of the body.
Tanya herself never visited the place. She listened to him and backed
him up on it, but crematoriums were not her cup of tea. At any rate, during
one of their last paseos in the centro after the prognosis, he bought
a cartolina canister in the Naga Supermarket, and told her that that was
where he wanted his ashes to be placed. Then he led her to the Dagsaan,
the concrete landing under the Tabuco bridge where the Virgin of Peñafrancia
begins her annual Fluvial Procession every September, and right under
the ogee arch, as he hoisted her elbow to steady her steps, he told her
where exactly to scatter his ashes before throwing everything, canister
and all, into the river. And do not worry about the cartolina canister
polluting the river, he joked, because it’s biodegradable. Apart
from this “morbid” side of his personality—and the jokes
on the corncob—she considered herself lucky to have found the perfect
husband in the world.
And now this perfect husband lay dying.
***
DAY in and day out she’d sit in front of the encephalogram, preparing
her Physics lessons. Next week she would be lecturing on Feynman’s
diagrams. The chapter had always intrigued her. She would always start
by looking at the reaction of one collision—a K-meson and a proton
coming together:

Not much problem there, she would muse, because then she could work out
what she did not find—

—using Feynman’s conservation of charge.
Then she looked at one diagram: an electron and a positron collide, mutually
annihilating each other. Instead of disappearing, however, the impact
created two photons traveling at the speed of light. Where did they come
from? She looked at the other diagrams in the book. All of them followed
the same process: the annihilation of initial particles in a subatomic
event resulted in the creation of new ones. But where did these new ones
come from? How she wished Sid could talk to her again and give her his
usual “philosophic” answers. How she missed his lectures.
One morning, Ramon brought into the hospital the old buzzer set they
used for practice in the telegraph office. He slid it under Sid’s
right hand. Sid recognized it immediately. His middle finger pressed the
key: di-di-di-dit dit di-dah-di-dit di-dah-di-dit dah-dah-dah. Ramon deciphered
it: H-E-L-L-O. Tanya’s eyes lit up.
In the following days, Sid communicated to her via the buzzer. He asked
about the kids, informed her where it hurt, and advised her what to do.
Very soon, both of them cobbled their own “short-hand” conversation
with Ramon acting as interpreter. It was like receiving telegraph messages
over a long distance.
But the conversations always ended up with P-L-S P-U-L-L P-L-U-G.
It was during these “conversations” that Sid amplified his
reasons why he remained faithful to Trent: Vatican II had denatured Catholicism.
And he meant not just the sight of nuns in mufti or priests in civvies.
His grievance went deeper than the cloying sentimentality or the brainless
homilies by boy-priests, deeper even than Humanae Vitae or the Mass in
shopping malls or Liberation Theology with its emphasis on social justice
that substituted for genuine Catholic doctrine.
The whole issue, he said, was the loss of order. Because of the Council,
Roman Catholic Naga suffered a sea change from order to disorder. In the
past, he said, the riddles of life posed no major problems for Nagueños,
for the Church gave purpose and meaning to everything. Even if they did
not understand its complexities, Nagueños lived in a universe as
children lived in their parents’ home, secure that the cosmos was
in good hands. The Church was monolithic and the way to salvation lay
not in ordering the world to one’s purposes but through aligning
one’s purposes to Rome. If the Naga faithful hearkened to their
duties—The Commandments, Mass and Communion, evening processions—they
would reap eternal reward; but those who refused to do so would perish.
But suddenly this monolithic, inert, geocentric Church had changed. Suddenly
the universe no longer pivoted around the liturgical cycle but around
social activism and politically correct histories on one hand and upraised
arms in Evangelical-charismatic emotionalism on the other. Speaking in
tongues had replaced Tantum Ergo. Suddenly the Church had deconstructed
itself.
He wanted none of this. He believed that if the Catholic Church were
to survive, it had to sift the lessons from Vatican II and commix them
with the best of Trent. Otherwise it would die a natural death as it crossed
over into the next millennium. Post-Conciliar Catholics keep forgetting,
he complained, that Christianity is more than social activism or group
dynamics. Christianity, he added, is more than “Amen-Amen”
or hand-clapping or tearful testimonies or peace-be-with-you greetings
during Mass. More, he believed that the Church went deeper than doctrines
and laws. The enduring appeal and strength of Catholicism was its sacramental
experience, not dogma. Catholics remained Catholics not so much because
of the Church’s doctrines and laws but because of its imagination
and intellectual consistency, its mystery and rituals. If the Church went
back to its roots, it could survive. He said he believed this because
the Church was for spirituality, and not expression of community or Laconia
psychoanalysis, poststructuralism, affirmative action, semiotics, hermeneutics,
or other lintiks.
Tanya belonged to the future, not his past. Her job was to bring the
richness of his past into the new century. He had given her a list of
must read books—the best ever that have been written—to nourish
her as she crossed over into the next millennium, for nothing beats a
good book to plumb life’s impasses, he said.
But she had to release him and let him go, because he was dragging her
down by his unwillingness to change. If Vatican II was not for him, he
reasoned out, the next century would even be less so. If he were going
to heaven, he was going there now as a pre-Conciliar Catholic or not at
all.
His work was done. He’d given her a first-hand experience of how
it was like to live in pre-Conciliar times so she’d appreciate the
past’s importance as the Church moved towards the future. If she
did not release him, she’d never be able to bring his past into
the new century. That was the way it went: Moses had to fade out so that
Joshua could lead the people to the Promised Land, Anchises had to die
so Aeneas could realize his pietas and found a new Troy, the Precursor
had to diminish so the Messiah could begin His Work.
So P-L-S P-U-L-L P-L-U-G.
But still, she could not do it.
In the days that followed, she agonized more than her husband did just
watching him decline and transform flab to skin and bones. His independent
nature rebelled against any form of assistance, and this time he could
not even go to the bathroom or dress himself up. They had stuck tubes
all over his body so that the slightest motion even to slide in the bedpan
was torture. To sensor arterial pressure, they had attached an arterial
transducer to his calf to make sure blood reached his toes so that he
would not develop gangrene. In addition, wall-hung machines monitored
his lung and blood and brain activities. Because he was unable to swallow
solid foods, the glucose and fats and amino acids and vitamins and medicine
from hanging plastic-packed colored liquids entered his system via a catheterized
large wrist vein.
Meanwhile, the duty visits grew more and more stilted (You’re looking
better, buddy. Back on your feet in no time.) And brief. After a month,
except for Ramon who did the errands and scut work, nobody bothered to
come.
Ramon and Tanya took turns watching the patient. Ramon remained in the
hospital while Tanya checked out the house. Last week, three nights in
a row, Ramon stood vigil because Tanya attended to Marlene, who had fever,
at her lola’s house. Every time her temperature rose, she kept calling
for her dad.
Tanya stared at the encephalogram: luminous objects darting on waves
along the dark background. She greeted each object as it appeared and
bid it goodbye as it disappeared. She tried to acquaint herself with each
object to ask where it came from and where it was going, but they all
moved on without pausing—darting in view and disappearing, darting
in view and disappearing. They reminded her of the Venerable Bede’s
stray sparrow that swiftly flew through a house, entering one door and
passing out through another. As she stared at the encephalogram pondering
on these things, she noticed something familiar: the luminous objects
darting on waves resembled the shape and movement of the wriggling sperms
of life.
Life is a flake of fire, she thought. So ephemeral. Where it came from
and wither it will go she did not know. But it is there, she thought,
surely it comes from somewhere and surely it has to go somewhere. What
if it disappeared completely? No. The Feynman diagrams disproved this.
Sid’s old songs disproved this.
Perhaps, not by holding on but by letting go lay the secret of life,
she reflected, surprised by her sudden insight. Whatever she possessed
she needed not cling to, for she could have it again and again: perhaps
the eternal became possible only if she released the temporal.
Or perhaps, she should not grieve too much over passing things as a singer
should grieve over the vanishing notes of a song, for she could always
recreate them whenever she wished. Death was just the pause within the
melody, the silence and apparent emptiness that each song needed to express
itself with greater panache.
She looked at her husband. He had been gazing at her. She nodded at him
and smiled. He smiled back. She did not have to tell him: he knew. He
pressed the buzzer key. Ramon deciphered it: T-Y. She rearranged Sid’s
pillows and guided his head to sink back into them. Dr. Go had informed
her Sid would live for a few more days, give or take a few, after she’d
have withdrawn the life supports. Because it was evening already, the
hospital would give permission to discharge the patient early the next
day, as soon as Dr. Go arrived to sign the walking papers. Once home,
however, a private nurse was to continue administering a narcotic painkiller.
That was the arrangement with Dr. Go as soon as she decided to make up
her mind.
She held Sid’s left hand, while her other hand felt the chord.
Ramon deciphered therapid di-dah’s in the buzzer set: A-M G-O-I-N-G
H-O-M-E T-Y F-O-R E-V-E-R-Y-T-H-I-N-G L-0-V-E Y-O-U.
“I love you too, darling,” she said.
And then she pulled the plug.
That night, at home, Tanya sorted out Sid’s bedside books from
the heap of pajamas and shirts that lay at the foot of the bed. Tomorrow,
when the hospital discharged him, she wanted to be prepared to read to
him his favorite classics. She busied herself fixing up the bedroom. She
dusted the cabinets, mopped the floor, deodorized the bathroom. She was
playing Nat King Cole’s “Red Sails in the Sunset” in
the old phonograph when the telephone rang in the sala.
“This is Mother Seton Hospital, the voice said.
***
THE necrological services started about mid-afternoon, three days after
Sid’s remains had lain in state in the old Peñafrancia Shrine.
During those three days, the casket rested on a wooden bier at the side
altar, but Father Itos Cáceres ordered it transferred to the main
altar for the final rites. Two officemates delivered impromptu eulogies
to a rarefied audience composed of Tanya’s parents, her two daughters,
Margot and her husband, Doña Choleng of the CWL, some nuns, and
Tanya’s sodalist friends. Tanya herself conveyed her brief thank
you’s to all those who helped Sid in life.
After Father Itos had finished the rites for the dead, the mourners queued
up to file past the open casket for one last look at the dead. Tanya stood
by her husband while the rest passed by to bid him goodbye. She looked
at Sid inside his satin-quilted bed. The cadaver looked prim in Barong
Tagalog. His cosmeticized face reminded her of the sun-tanned look of
the groom ten years ago she caught catnapping after the hectic wedding
reception, except this time the wrong shade of lipstick gave him away.
The pallbearers shut the lid and carried the casket to the funeral coach
outside the Church.
Tanya and her two daughters walked the whole length of the funeral procession
along Peñafrancia Avenue. The others rode on a rented passenger
jeepney. Along the way, Tanya remembered the areas Sid had pointed out
to her during the times they had walked together to Church where once
stood the old landmarks of Naga, and she wept uncontrollably each time
she remembered the “Walking My Baby Back Home” Saturday afternoons.
The funeral coach played Schubert’s Ave Maria until the procession
arrived at the Naga Crematorium.
The funeral director, in a gray-cum-dark-stripes uniform, unlocked the
Cadillac’s tail end and lifted its humpbacked stern—his cue
for the staff to move in and steady the casket that was now gliding easily
toward the coach’s exterior ridge where a hydraulically operated
porto-lift receiver caught the casket for the pallbearers who transferred
it to an accordion-shaped, balloon-tired carriage which they wheeled noisily
from the foyer to the center of the hall where Ramon and his officemates
stood by waiting.
It was the first time that Tanya had seen the crematorium. The austerity
of the building exterior would have provided her no relief if those narra
trees at the back did not soften the architecture. She walked carefully
as she entered the unfamiliar portico with its unrelieved uprights and
horizontals. But her uncertainty quickly turned to awe and comfort as
soon as she passed through the waiting room and entered the chapel that
was both sanctuary and room with a view of a large crucifix outside standing
as a beacon on a mound isolated from the building.
The tiled walls inside the Naga Crematorium proper exuded a spruce and
sterile look—a cross between an operating room and an undertaker’s
morgue, except that this place smelled neither of alcohol nor formaldehyde.
Tanya noticed the absence of the usual scalpels and needles and tubes
and congers and scissors and forceps and pumps she associated with unpleasant
rooms. Ramon had obviously looked after Sid’s work and maintained
it as instructed.
In the middle of the hall loomed the oven-shaped dome of the incinerator.
The pallbearers pried off the coffin’s lid and lifted the stiff
cadaver from its narrow bed. The two officemates helped support the corpse
descend and lie down in the flat metal sheet facing the mouth of the incinerator.
Ramon opened the iron door. The mortician positioned the body by turning
it slightly to the right so that it would not roll down the metal bed.
Tanya came forward to check out on last minute preparations. She held
her husband’s stiff arm. Sid appeared more like a gigantic wax-doll
than a corpse, even if the right shoulder pressed down exaggeratedly to
reveal the suture incisions in the carotid artery. A portable tape recorder
kept playing “Immaculate Mother,” pre-taped for the occasion
by the sodalists. Tanya checked out the Rosary in Sid’s left hand.
On his right hand rested The Spiritual Exercises of St. Ignatius.
When she gave the signal, the men inserted Sid’s body in the retort.
Tanya took one last glance at her husband inside the chamber before Ramon
clamped the iron door and bolted it, the solid clank sounding like a street
manhole cover when a car runs over it.
Ramon pushed up the switch-bar. The cracked petroleum whooshed out the
chamber’s interior ducts. Through the tiny observation vent Ramon
checked the flame inside and saw the overhead blowtorch strike Sid head
first burning all his hair. The side flames fanned out and enveloped the
body. The crematorium worked exactly as Sid had intended it, Ramon thought.
Then, his face aching from trying to hold back his sniffles. Ramon worked
on more gadgetry. The plastic gauge above the machine sloped up as the
heat kept rising inside the chamber.
Tanya peeped in the observation vent. The overhead blowtorch had bored
a hole through Sid’s cranium, while tongues of flames clung tenaciously
over the rest of the body. Fire consumed, fire purified, and fire lighted
up one’s journey, she mused, as the chamber hummed. She looked up
at the plastic gauge: 2,000 degrees Fahrenheit. When she peeped in again,
Sid’s torso had cracked open, exposing a luminous interior. From
the depths of the pylorus, a swarm of glowing red spots, like burning
red ants, lit up the blooming entrails and disgorged itself along the
pelt-like furrows of the body. Suddenly Tanya saw flakes of fire jet out
of the flame and dart out in all directions, spawning a conflagration
of pyrotechnical objects that reminded her of the luminous objects that
darted on waves along the hospital encephalogram.
The sight fascinated her. She felt strangely drawn to it, as if an unseen
hand held her in place. The longer she observed, the more the darting
flakes reminded her of something else even more familiar: they left trails
similar to the vapor trails of particle collisions in the bubble chamber
photographs of her Physics textbook. A surge of strong emotion rose from
inside her. She could hardly believe her eyes. Right in front of her unfolded
an intricate sequence of particle collisions and decays. She saw negative
pions dart out from Sid’s body of light, collide with the flying
protons, and annihilate each other on impact. But instead of a vacuum,
the explosion created a shower of positive kaons, negative kaons, and
neutrons. The neutrons flitted off without a trace, but the positive kaons
decayed into three pions each! Where did they come from? Then the negative
kaons jetted out once more and collided with the flying protons, annihilating
each other on impact. Again, instead of a vacuum, the explosion created
new photons and lambdas which decayed into—again!—new photons
and new negative pions. But that’s impossible! she thought.
Until that moment she “believed” in the mathematical truth
of Feynman’s diagrams in theory only. But right before her eyes
the diagrams repeated themselves over and over in sweeping curves of anti
protons shooting up from Sid’s luminous body and colliding with
the flying protons and creating positive pions flying off clockwise and
negative pions flying off counterclockwise and pairs of photons creating
electron-positron pairs of electrons curving counterclockwise and positrons
curving clockwise. How is this possible? She stared in disbelief.
Stunned, she returned to her bench.
After two hours, Ramon turned off the heat. Then he unbolted the iron
door to fast-cool the retort. Using iron pincers, he tugged out the hot
metal sheet. The fire had reduced Sid’s remains to bone fragments.
Ramon used the same pincers to segregate the burnt up shards of clothing
from the bone fragments. The ribs caved in at the pincers’ slightest
tap. He picked up a wooden bush hammer and pulverized the larger fragments
into chalk-like pieces, then pulverized these geometric-shaped bits further
until they evened off into a heap of powdery ash and white gravel which
he swept into the mouth of the cartolina canister Tanya had provided him
earlier.
Only a few visitors remained. Tanya’s parents had gone ahead to
bring the others to the house for the novena. Tanya said she’d follow
later, as soon as she had disposed of the ashes. Her friends respected
her wish to do this alone.
Cradling the canister in her arms, Tanya flagged a trimobile and instructed
the driver to conduct her to the Tabuco bridge. A certain apathy in her
brain caused her to allow the trimobile to take its own route, blurring
everything in view. The driver dropped her right in front of the arched
Dagsaan, the concrete landing under the bridge Sid and she had visited
during their last paseo.
She descended the concrete steps of the ghat, but teetered precariously
when the high tide swept past the middle aisle and moistened her moccasins.
The habit of counting upon his hand to hoist her elbow to steady her steps
lingered. A gust of wind from up the river chilled her sodden feet, causing
her whole body to feel prickly inside her husband’s bulky jacket
she was wearing.
She uncovered the canister’s lid. This was the way he had wanted
it: no tomb, no spot, no cinerarium, no marker to bind him to a focal
point of sorrow. She poured out the contents in a scattering motion. The
ashes gushed out and floated, then forked out in V-shaped formation. One
prong journeyed toward a promontory of dune that jutted near the screen,
while another lengthened toward the water lilies before a freak wave whirl
pooled its crest down the river-floor.
She patted the canister’s bottom to release the clinging residue.
The chalky particles flew off and blanketed the coruscating pebbles along
the banks. A passing banca sliced through the now elongated bands of ashes
and forced the nicked parts to wend their way under the houses on stilts
until they crossed inlets where fingers of narrow gorges daubed them in
mud.
She bent low and pushed the empty canister, mouth first, in the water.
The vessel resisted. She tilted it, then thrust it deeper, causing it
to gurgle and belch forth shampoo-like bubbles. After water had rushed
inside the canister, she released her pressure and allowed the vessel
to sink in its own weight. Won’t pollute river. Biodegradable. Sid’s
words.
Meanwhile, the breeze had puffed the remaining ashes up the river. She
watched the waves carry the chalky particles past swaths of grass and
round the bends curving around marshes glutted with industrial debris.
She watched them appear and disappear in the rows of sand dunes that tried
to deflect their paths. Soon they were out in the open river, free at
last.
The rim of the horizon shimmered like lit gunpowder, causing the distant
ashes to emit a mineral glow. The brightness induced vitality globules
to dance before her eyes, reminding her of the white dots in the encephalogram
and the flakes in the crematorium. They danced to and fro as the afternoon
sun hit the waters, forcing her to close her eyes.
When she opened her eyes, she felt as if the black veil had been lifted
from her face. But the place did not look familiar. The surroundings had
suddenly changed in appearance. Everything throbbed with life. The stones,
the river, the trees, the air, all pulsated with life. She saw the sun’s
rays spritz the earth’s atmosphere with a shower of energy. When
they collided with the nuclei of the air molecules, they refracted in
smithereens of secondary particles that sprinkled the earth and descended
in powdery mist upon the river. She saw subatomic particles oscillate
and flow through deer-like cloud-formations in the sky, and spin and spin
inside the cyclotron-shaped cloud-accelerator very much like the collision
experiments of high energy physics in her textbook.
Then she heard what sounded like the faint tweedle of sitars. The diacoustics
came from the sky and sounded like the playing of a shringar Hindu raga.
The sound grew louder and louder until the sympathetic effect of double
violins enveloped all Naga. As she gazed up, she saw forming up the faint
outlines of a strange figure with four hands and two feet tiptoeing in
space. One hand held a drum. She could not look directly at the other
hand because it held a flaming torch as glaring as the sun with flakes
of fire jetting out across space. Then, half-squatting on balanced hips
in what seemed like the motions of a dance, it slapped the drum with its
third hand: the primordial sound stirred the figure to sway gracefully
in rhythmic motion, its limbs moving like those of a giant centipede.
The figure vanished as quickly as it appeared, but before it did, it looked
at Tanya, smiled softly, and raised its fourth hand in a gesture of “Do
not fear, all is well.”
When her surroundings returned to normal, she felt that all her fears
had disappeared. With their disappearance came a strange understanding
how simple and obvious the analogues for life have been. Why she had not
seen all these before, like the illusion of death, for example, which
was no different from the sun sinking in the horizon only to shine brightly
in another part of the world, she did not know. All she knew was she needed
not fear anymore because the God of Death was also the God of Life who
never ceased Her/His dance of destruction and creation from subatomic
particles to spiral galaxies millions of light years away. The soft smile
from the dancing figure in the sky thrilled every atom of her body that
she just stood there breathless with bliss, gazing at the river and the
sky until the distant coconut trees darkened and the sun disappeared on
the horizon.
***
WHEN she turned around, she saw that evening had fallen in Naga. She also
noticed that her night blindness had disappeared. For the first time in
weeks, she saw the centro light up for the night. First flashed out the
headlights of private cars, next the streetlights, then the electric yellow
bulbs of vendors along the sidewalks. Finally, one by one, other lights
followed. She saw fluorescent lights peer out of the shops, kerosene lamps
light up the second floor of the Naga Supermarket, glints of silver streaks
perk up like tinfoil the dark facades of distant apartments—all
blending with the suddenly switched on neon lights of Zenco Footstep and
New South Star Drug and flood the centro with a motley of colors that
looked like Christmas lights reflecting on polished vinyl table covers.
This sudden conflagration of light and color of early evening in Naga
cuddled her and stirred her to stare off into space in wordless joy. The
sky ad changed from red to violet, like a priest changing his liturgical
vestments. Suddenly, the flapping of wings from a flock of salampati blocked
her view. The cacophony of rush hour traffic had driven them from the
mezzanine window of Fiesta Hotel to perch in single file onto the relative
safety of the telephone cable in front of Benito Commercial.
She walked past Pacific and Atlantic bakeries, occasionally scrapping
the mud-packed soles of her moccasins against the gritty stretch of the
side road. When she crossed Padian Street she felt as if the corks of
her senses had popped off, leaving her vulnerable to the sights and sounds
and smell of the city. She picked up the minutest details: the click of
billiards balls two blocks away across the din of traffic, casserole lids
clanging inside Cosmos Restaurant, a toothpick-chewing man coming out
of New China Restaurant and shredding a piece of napkin into tiny pieces.
In the sidewalk intersection, a clutch of vendors compared wares. A tubercular-looking
man butted in, flashing a broad grin, but he changed it into a frown when
he realized his “wrong entrance.” A woman in Allied Bank uniform
pushed herself through the slow-moving crowd and dragged along a reluctant
Naga Parochial School boy on one hand and a roller of groceries on the
other.
The smell of freshly baked mammon wafting from Madame Poon reminded Tanya
to hurry home. She remembered that tonight the neighbors were joining
the Sodality of Our Lady in reciting the Rosary and prayers for the dead.
Her sodalist friends promised to bring the viands for supper, but Tanya
said she would cook the rice. She thought of dropping by Naga Restaurant
to buy wrapped pancit canton and toasted siopao in case more visitors
arrived. After all, this was the first day of the cremation and some friends
might stay late to keep her company during her first night alone.
Tomorrow, first thing in the morning, she’d give his clothes away
to the Peñafrancia parish. In the afternoon, the Tamaraw from the
Holy Rosary Minor Seminary was coming over to pick up the two balikbayan
boxes of books Sid had set aside for donation to the library. All these,
she promised him, would go.
All except the must read books. And the old 75 rpm records. She had asked
to keep the records. She’d asked to hold on to them so she could
play them over and over in the old phonograph: the cool and reassuring
voices of Nat King Cole and Vic Damone and The Platters and The Four Aces
and Jerry Vale and Patsy Cline and Sarah Vaughan and Dinah Shore and Doris
Day and Tony Bennett. She’d asked to keep them because she’d
need their company in the coming years and evenings ahead when she’d
be reading, batch by batch, Sid’s must read classics beginning,
this month, with Augustine’s Confessions and Newman’s Apologia
Pro Vita Sua and Teilhard de Chardin’s Future of Man and Cervantes’
Don Quixote and the other classics Sid had lined up for her to stand her
in good stead as Naga crossed the fjord towards the Third Millennium—for
she’d need the background voices, while she read, of the Four Aces
singing “Three Coins in the Fountain” or Doris Day’s
“Que Será Será” to bring her back to the kinder
years that Sid had stood for to give her strength: the Naga years before
the Internet and CATV and the Big Mac, the pre-Conciliar years when Naga
was young and easy as the Underwood typewriter and carbon paper and mimeograph
machines and stencils and bingo parties in the parish hall—those
days of wine and roses so essential for the sudden epiphanies of Bicol
exiles, in or out of Naga, who, like her, had put their faith in a Church
that promised to lead them safely into the next millennium and, after
this exile, all the way to the communion of saints, the forgiveness of
sins, the resurrection of the body….
A burst of loud laughter broke off her train of thought. Outside Boning’s
Trading a group of girls in UNC high school uniform were gawking at some
poster the harried saleslady kept smoothing back in place at the glass
display window, but the breeze kept flapping it off the masking tape.
As draconian remedy, she drew out a long strip of Scotch tape and plastered
it across the poster, there. The students’ fits were contagious.
One girl, patently the class comedian, approached the poster and pointed
a chubby finger at the printed testimonial. Then she twisted her rubbery
face and mimicked the poster’s model’s come-on smile, causing
the whole barkada to roll up and shake in uncontrollable guffaws. Tanya
moved in closer to examine the butt of such irresistible hilarity. The
poster showed a fair-skinned teen-aged girl inviting everyone to try this
new skin whitener lotion because it had worked on her to the effect that
she obtained dramatic results after only four weeks’ application.
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