Genres

F/LIGHT

Mark Angeles
English

 

Aesthetics arrived like an envelope laced with anthrax, not a wrench

bequeathed to the apprentice by a master plumber. Assembling language

does not involve torque, does not turn knots and bolts. One bends

both knees, towards the ancient mites on the rugged floor, efforts at

 

frenchkissing.

 

A day Arkaye Kierulf queried, “Do you think it was necessary to quote?”

(as in the body of a poem) We were talking about Jorie Graham

 

and Ann Lauterbach’s The Night Sky which I just bought. Perusing

over her treatise is like staring on a bowl of water

with a glimpse of the future, in her case, ten years late

 

We wake and find ourselves on a stair.

 

Stairs winding: rising and sliding. Nadir and zenith disappearing from sight.

A coffer disembarking from the First World. Lauterbach’s stash of souvenirs.

 

Contravening

 

at the bounties of yes-dogs and sycophants.

            For instance,

 

drop the words quotidian (quote?) and obsidian (obscene?) anywhere

in the text and dazzle like a luminary in a masquerade fête.

 

I find it ominous. I find it

tongue in cheek. Dire

 

beauty is in the knowing. Lacquer finish.

 

I celebrate myself and sing myself. Ako ang daigdig.

 

One morning, when the drizzle faded, I walked in the pavement and saw a

tree with leaves just about the size and shape of my palms. Just as when

a sunup came along.

 

The tree, whatsitsname

leaves flaunting inimitable gestures with the blustery weather

 

As if to differentiate:

 

swallow/swallow

(verb) from (bird)

 

As in a poem. A gathering of filthy spree colliding within the vortex of a whirlpool.

 

Looking at rosy-fingered commas as somewhat

 

dots dots dots

 

Blotches and spots. Objects etched on sacred spaces such as *, †, ‡, §, ‖, ¶ or marginalia

as one had scrawled, “Do not stand at my grave and weep

 

“I am not there.”

on an epitaph

not there in the chips of stones

in pigments and substrates

not there in your breath

silver lining’s nonappearance

ultraviolet’s omnioccurrence

while the sky is horde & heavy with

clouds  [a regalia

 

a mosaic tapestry (travesty) of historicity enigma meaning: consecration and desecration]

 

Mahmoud Darwish had said, "I have learned and dismantled all the words

in order to draw from them a single word:           Home."”

 

Always go back to the center of the circle. As it spirals. Memory’s reunion.

 

As efficient as inhalants. Tenacious and obscene. Hypoxia.

 

For instance, when a poet mentions the word ‘incantatory’, winged shivers spiral out

in outlandish curves of our body. Then notice the effect when we see Incantatory ringetted.

Think of toilet bowls / milk cans / shape of a gaffer’s mouth thrilled with glassblowing.

Dipthong. Tongue. Moisty. Squishy. Spores cusp in fur, hide, or wool, or anthrax

 

                                                                                                in flight.