Genres

Leavings

Jhoanna Lynn B. Cruz
English

Leavings 

 

The day he left,

the neighbors finally chopped down

the tree in their yard.

I stood in our terrace wondering

why it all seemed brighter, imagining

it was his leaving.

 

When I realized the dead tree

was gone, I wanted suddenly

to know what kind

of tree it was.

Pine? Agojo?

No way to tell because

it was already black

and leafless when we moved in.

I had asked him whether

it was still a tree,

when all that remained

was its trunk and one branch –

an accusing finger.

 

How happy I was

for the tree that day, freed

from pretending it was

a  post, a hanger, a tree;

unlike the kamias in Pasay,

sucked of green by mother’s

dendrobiums wrapped around its trunk;

or the acacia, forlorn in Pampanga,

all its branches overtaken by ferns,

fooling even the sparrows

with the trompe l’oeil.

 

They haunt me, these trees

that are not trees. Their brave stance,

the rootedness despite the loss

of what I thought should matter:

Green, green,” as Lorca sang.

 

A year later, in Davao,

in my garden that plays host

to the wayward branches

of the neighbor’s fruit-heavy makopa,

I recall an old lesson –

how the core of a tree needs to die

to keep the life flowing between leaf and root;

how the annual rings emanate

from this death;

how the part that remains

when all life is stripped

is called

 

heartwood.