UP DECL HOMECOMING ON JUNE 26 AT BAHAY NG ALUMNI
The
Centennial Homecoming and Reunion of the Alumni and Faculty of the
Department of English and Comparative Literature (DECL) will be held at
the Bahay ng Alumni, UP Diliman on June 26, 2011, at 6:00 in the
evening.
This
grand reunion celebrates a hundred years of excellence, leadership, and
service, especially in creative writing, teaching, research and
publication in English language and literature, as well as in
comparative literary studies. The program will fete distinguished
alumni and faculty achievers, and honor these jubilarians: Royal
Diamond (graduates before 1950), Diamond (1950), Emerald (1955), Golden
(1960), Sapphire (1965), Ruby (1970), Coral (1975), Pearl (1980),
Silver (1985), and Platinum (1990).
Other
highlights of the affair include “100-Books,” the mass launching of
faculty and alumni publications in the past five years, the soft
launching of the DECL Centennial Publications; a video presentation on
the department, and the organization of the Department Alumni
Association.
All
faculty (active and retired) and graduates with Ph. B., A.B., M.A., and
Ph.D. degrees, with concentration areas in the English language, in
creative writing, in British and American literatures, and in
comparative literature, are invited. They are enjoined to pre-register
with the Department of English and Comparative Literature; or call
Annie at 926-3496, or email the Department Chair at aflucero@gmail.com.
HU ART DAW? REDESIGN SHAKESPEARE AND WIN CASH AND GOODIES FROM PETA
For its 44th Theater Season, PETA produces modern, educational and
entertaining plays and events that reintroduces Shakespeare and his works.
Help
us demystify the Bard--make him less fearsome, easier to understand,
and lovable for all. Create a modern icon that will capture PETA’s hip,
fun, young and modern interpretation of Shakespeare that will appeal to
the youth! PETA produces modern, educational and entertaining plays and events that reintroduces Shakespeare and his works.
MECHANICS
1.
Contest participants must create a hip, fun, young and modern
Shakespeare icon for Philippine Educational Theater Association’s
(PETA), 44th Theater Season.
a. Entries can be hand drawn or digitally made (e.g. Adobe Photoshop).
b. The image must be in .jpg format. File size should not exceed 500kb.
c. Originality is encouraged.
2.
Contestants must pass their electronic artwork via email, to
petatheater@gmail.com together with the following information:Entrant’s
Full Name, Age, Contact Number
3. All artworks received during the contest duration will be uploaded on July 16 via PETA’s Facebook Page: Peta Tapets
4. Contest Duration
Contest
starts on June 10, 2011.Deadline for submission of entries is on July
15, 2011 at 6:00 P.M. Deadline of voting (via Facebook likes) is on
July 30, 2011 at 6:00 P.M. Winners will be announced on August 2, 2011.
5. Criteria for Judging
30% Popularity measured via Facebook Likes
30% Creativity
40% Originality & Adherance to PETA’s hip, fun, young and modern theme
The
winning artwork will become the official icon of PETA’s Shakespeare
Season and shall appear in PETA’s posters,flyers, merchandise and other
collaterals. The winner will be given: Php 5,000 plus (20)
complimentary tickets for PETA’s William and Haring Lear as well as
complimentary playbills for both productions.
Winners will be notified by PETA via phone call and public announcement on PETA’s Facebook Page.
Download the full poster here.
DEPED AND CHED ENDORSE THIRD NATIONAL CONFERENCE AND SEMINAR-WORKSHOP ON CHILDREN'S LITERATURE
The
Pilandokan Inc. (National Research Society for Children's Literature)
in cooperation with the National Commission for Culture and the
Arts (NCCA) and the University of the Philippines College
of Arts and Letters (CAL), invites scholars, writers,
illustrators, teachers, students and advocates of children’s literature
to the 3rd National Conference and Seminar-Workshop on Children’s
Literature. This will be held at the Claro M. Recto Hall, College of
Arts and Letters, UP Diliman, Quezon City on October 14-16, 2011.
The
conference seeks to explore ways in which educators, advocates, writers
and publishers of children’s literature can share approaches,
techniques and findings with regard to production, teaching , research
and criticism of children’s literature in the Philippines. The
conference will cover practical and relevant topics on the genres and
aspects of children’s literature, namely: poetry, picture book,
television program, translation, retelling, illustration, creative
storytelling, and issues concerning science and medicine in children’s
literature. Workshops will be held to
enhance the participants’ knowledge and skills in the teaching,
writing, production and advocacy of children’s literature.
The participants’ output will then be collated and reviewed for
possible publication by the Pilandokan, Inc.
Registration
fee is PhP 3,000.00 (for regular participants) and PhP 2,000.00
(for undergraduate students). This is inclusive of conference
kit, snacks and lunch for three (3) days, copies of papers
presented and conference proceedings of previous
conferences. The first 50 delegates to register may avail a
discounted rate at PhP 2,500.
For
the benefit of those attending, please refer to endorsements from CHED
& DepEd. For details, please visit us at pagongatmatsing@yahoo.com
or contact the secretariat at 0915-638-2648 or 0928-790-8131 from
Monday to Friday.
PETA VIP CARDS NOW AVAILABLE
What’s
hot this rainy season? PETA’s VIP CARD. Get hot access to PETA’S new
plays and hip events featuring the works of William Shakespeare. Avail of huge discounts and your very own PETA VIP card.
For inquiries and reservation, text/call725-6244, 0917-539-1112 or email petatheater@gmail.com. Hurry few slots left! Subscribe now!
CALL FOR SUBMISSIONS TO PAPER MONSTER PRESS'S DREAM POP ISSUE
After
setting the mood with the seductive flair of our "S/Trip-Hop Issue," we
will now be leading you into a lovely afterglow with the "DREAM POP
ISSUE."
Melodies
taking you on an out-of-body experience; rhythms wrapping you up in a
blanket of spacious soundscapes; and voices resonating like an
echo-laden remix of your favorite bedtime lullaby. Dream Pop is the
kind of music that keeps you awake yet under the sheets in a trancelike
state at any hour of the day. It is atmospheric and ethereal ... And
that is precisely what Paper Monster's fourth issue is all about.
It
may seem like such an underground subgenre, but in fact, Wikipedia has
its own looong alphabetical list of dream pop artists. If you can get
an aural picture of Kevin Shield's (My Bloody Valentine) indulgence for
delayed and distorted guitar effects with Elizabeth Fraser's (Cocteau
Twins) or Hope Sandoval's (Mazzy Star) sleepy-eyed vocals; and Anthony
Gonzalez's (M83) blurry and up-front synthesizer tones, then it's quite
easy to catch our drift.
Once
again, we are calling all literary, visual and sound artists to give us
their personal interpretations of DREAM POP in the form/s of:
LITERARY
ART: We accept poetry, literary essays, critical essays, microfiction,
reviews of Paper Monster Press issues 1-3, and ekphrasis works.
VISUAL
ART: We accept new media art, installation art, abstract expressionism,
lowbrow, graffiti, body art, pop art, photography etc. (any kind of
visual art, basically).
SOUND ART: We accept sounds that embody dream pop. Think spacious, ambient, steady, atmospheric,ethereal.
GENERAL GUIDELINES:
- All works must be submitted to papermonsterpress@yahoo.com.
- Each
contributor may submit 3 works ONLY from each category. That means you
may submit 3 literary works, 3 artworks, and 3 musical pieces, but no
more than that. This is to give space and a chance to others.
- Submissions must be loosely/closely based on the dream pop genre of music.
- The
EIC’s laptop is Buddhist, so aside from attaching text submissions,
kindly paste the contents of your piece to the body of your e-mail.
- Submit
literary pieces in English or Filipino. We do not have the capacity to
read and/or translate foreign languages as well as local dialects at
the moment. Works should not exceed 500 words.
- Submit
artworks in JPEG format. We accept both colored and black or white art,
but please be reminded that PMP will only have a colored cover, the
rest of the zine will be in black and white.
- Submit sounds in MP3 format.
- If your piece is inspired by a dream pop artist/work, kindly state the artist/work from which your piece sprang from.
- PMP
religiously follows the process of selecting and editing. We stand by
our editors’ decisions. Please, don’t feel bad if your work wasn’t
selected for an issue. There’s going to be lots more of Paper Monster
Press in the future.
- For updates, just check the Paper Monster Press Facebook page (www.facebook.com/papermonsterpress).
Deadline for this issue: JUNE 30, 2011
Ladies and gentlemen, let us now get ready to float in space...
The Editors
PAPER MONSTER PRESS
FREE SCRIPTWRITING WORKSHOP WITH JUN LANA
As
his first batch of students graduate this May, award-winning writer and
youngest Palanca Hall of Famer Jun Lana is again oferring a FREE
writing mentorship program for aspiring screenwriters. Three applicants
will be chosen to participate in an intensive 3-month, individualized
mentorship aimed to refine their craft and expose them to career
opportunities within the mainstream entertainment field.
The
success of the first group lends a new dimension to what the upcoming
class will experience – now writing for TV and soon for film, the first
batch will actively take part as “buddies” who would help guide the
next batch of mentees.
Interested applicants must submit their
CV and a one-page essay (in Filipino) on why they want to pursue a
career in screenwriting to junlana@rocketmail.com.
CALL FOR SUBMISSIONS TO PSF 7
Editors
Alex and Kate Osias invite you to submit short fiction for
consideration for the highly commended Philippine Speculative Fiction
volume 7.
Philippine Speculative Fiction is a yearly anthology
series, which collects a wide range of stories that define, explore,
and sometimes blur the boundaries of science fiction, fantasy, horror,
and all things in between. The anthology has been shortlisted for the
Manila Critics’ Circle National Book Award, and multiple stories from
each volume have been cited in roundups of the year’s best speculative
fiction across the globe.
First-time authors are more than welcome to submit; good stories trump literary credentials any time.
Submission Guidelines
1.
speculative fiction—i.e., they must contain strong elements or
sensibilities of science fiction, fantasy, horror, magic realism,
alternate history, folklore, superheroes, and/or related ‘nonrealist’
genres and subgenres
2. written in English
3. authored by persons of Philippine ethnicity and/or nationality
Submissions are preferred to be:
1. original and unpublished
2. no shorter than 1,000 words and no longer than 7,500
3. written for an adult audience
In
all cases, these preferences can be easily overturned by exceptionally
well-written pieces. In the case of previously-published work—if
accepted, the author will be expected to secure permission to reprint,
if necessary, from the original publishing entity, and to provide
relevant publication information.
Submission details:
1.
No multiple or simultaneous submissions—i.e., submit only one story,
and do not submit that story to any other publishing market until you
have received a letter of regret from us. We don’t mind if you submit
to contests.
2. All submissions should be in Rich Text Format
(saved under the file extension ‘.rtf’), and emailed to kate.osias at
gmail.com, with the subject line ‘PSF7 submission’.
3. The
deadline for submissions is midnight, Manila time, September 30, 2011.
Letters of acceptance or regret will be sent out no later than one
month after the deadline.
Editors’ notes:
1.
Please don’t forget to indicate your real name in the submission email!
If you want to write under a pseudonym, that’s fine, but this can be
discussed upon story acceptance. Initially, we just need to know who
we’re talking to.
2. If you’d like to write a cover letter with
your brief bio and publishing history (if applicable), do feel free to
introduce yourself—but not your story, please. If it needs to be
explained, it’s probably not ready to be published.
3. We advise
authors to avoid fancy formatting—this will just be a waste of your
time and ours, since we will, eventually, standardize fonts and
everything else to fit our established house style.
There will
be compensation for selected stories, but we’ve yet to determine
exactly what. In previous years, we’ve provided contributor copies of
the book, as well as small royalty shares, but we are considering
shifting Philippine Speculative Fiction to digital format, so we may be
shifting to outright financial payment as well.
For
inquiries and submissions. please contact the editor at
kate.osias@gmail.com or log on to their website
http://philippinespeculativefiction.com/ for more details.
CALL FOR SUBMISSIONS TO KRITIKA KULTURA ISSUE ON PHILIPPINE LITERATURE IN SPANISH
To
the rare extent to which Philippine literature in Spanish is recognized
to exist, the tradition is almost entirely identified with the life and
oeuvre of José Rizal, the late-19th century author of the novels Noli
me tangere and El filibusterismo and the poem “Mi último adiós.” The
appearance of Filipino fiction and poetry in Spanish precedes Rizal,
however, and creative publications in other genres as well thrived in
diverse and continuous ways for many decades thereafter.
In
the past century, a scattering of published surveys and graduate theses
has sought to describe the key authors and texts of Philippine
literature in Spanish, but virtually no sustained analytical
scholarship on particular literary works, outside those by Rizal, has
been produced. The object of this Forum Kritika is to encourage the
creation of such a critical corpus and thereby initiate long-lasting
investigations into the tradition, perhaps the most unknown in the
Spanish-speaking world and among all Asian literatures in Western
languages.
Kritika
Kultura will publish four to six papers on Philippine literature in
Spanish in the August 2012 or February 2013 issue. All topics on
specific texts of the tradition are welcome, but in order to diversify
the existing range of scholarship, authors are urged to submit essays
that do not focus exclusively on Rizal. Theoretical and/or comparative
approaches to texts are particularly welcome, as are essays on any
literature, defined broadly, produced in Chabacano in any of its
variants (Zamboangueño, Caviteño, Ermitaño, etc.).
All
submissions will be subject to peer review. Essays should be
5,000-7,000 words long and submitted as a Word document to Adam
Lifshey, guest editor of this Forum Kritika, at AML58@georgetown.edu by
February 1, 2012. An abstract of 250-400 words should accompany each
submission. Regarding style and format, all essays should follow the
guidelines of the most recent MLA handbook.
Kritika
Kultura is a refereed electronic journal of the Ateneo de Manila
University and is available at http://kritikakultura.ateneo.net.
LEARN FEATURE WRITING 101 WITH WRITERS BLOCK PHILIPPINES
Learn
to write feature articles that will get published! The key to getting
published is writing great feature articles that will please your
editors. Join our upcoming workshop on feature writing and discover how
the founders of Writer’s Block Philippines are able to sustain their
careers through effective feature-writing.
The workshop will be
on July 2, Saturday, 10am to 6pm at the second level of Powerbooks
Greenbelt 4, Makati City. Workshop fee is P2,500.
To reserve a slot, email writersblock.ph@gmail.com or contact 0927 8508280.
For
inquiries and more information email the organizers
at writersblock.ph@gmail.com, contact 0927 8508280, or visit their
website: http://www.writersblockphilippines.com/.
SOUND, MUSIC AND POETRY TAUGHT BY POET MARC GABA 
“Is that violence or violins.” - LYN HEJINIAN
3 SUNDAY AFTERNOON SESSIONS, JUNE 26, JULY 3 AND JULY 10, 2011
3:00 PM – 5:00 PM AT KREM CONTEMPORARY ART, 27 SCOUT YBARDOLAZA
STREET
CLASS FEE: P 1,200.oo inclusive of class readings
5 SLOTS ONLY. CALL OR TEXT 0916-293-8777 NOW.
Does the music of your poetry express the complex feelings you intend?
This class will help you find out.
Designed for serious writers and beginners, this is not a workshop but a
class in technique. We will study sound patternings and phraseology, scansion,
modulations of volume in the creation of audible gestures. Through exercises,
lectures and compositional assignments unheard of in poetry classes, we will
sharpen your ability to detect the expressive nuances of sound in language. The
end goal is for you to learn to hear in precise terms how you sound on the
page
Reading and listening list includes Shakespeare (and pop music version
of one of his sonnets), Beethoven, Stephen Sondheim, club music, Jose Garcia
Villa, Basho, Laura Mullen, Lyn Hejinian, Mei-mei Berssenbrugge, Sandra Miller,
Ricardo de Ungria and Bjork. We will also look at a Kandinsky.
Songwriters are welcome.
Marc Gaba studied Creative Writing at the University of the
Philippines and received his MFA from the Iowa Writers' Workshop. He won a
Palanca in 1998. His poems have appeared abroad in prestigious journals such as
VOLT and the Boston Review, whose Poetry Contest he won in 2006. Locally, his
works have appeared in Starweek, the Diliman Review and the
PhilippinesFree Press, as well as anthologies published by the UP Press and UST
Press. His chapbooks are How Sound Becomes a Name, Nouveau Bored, and Atomic
Neutral. His first book, Have, will be published by Tupelo Press in Vermont,
US, in October 2011. He is also a practicing visual artist and curator.
PANAWAGAN PARA SA MGA SUBMISYON SA TRANSFIKSYON: MGA KWENTONG IN-TRANSIT
Project Proponents:
Rolando B. Tolentino and Rommel B. Rodriguez, editors
Muli naming
inaanyayahan ang mga kontemporaryong kuwentista, Facebookers, bloggers at iba
pa na mag-ambag ng kanilang mga akda para sa isang bagong antolohiya ng mga
maiikling kwento sa Filipino.
Pinamagatang Transfiksyon:
Mga kwentong in-transit, nakatutok ang proyektong ito sa diskursibong larangan
ng maikling kuwento sa pagdalumat sa mga pangyayari sa realidad at
kamalayan habang nasa yugto ng biyahe, paglalakbay, paglagalag, maging sa
panaginip o mga pangyayaring nakapaloob sa di-kamalayan. Hindi mahalaga ang
pinagmulan o paroroonan, ang kailangan, mapiga ang mga nangyayari sa
pagitan o puwang ng mga lunan at espasyo, oras at panahon, pagkatao at
modernidad.
Narito ang mga
kahilingan para sa mga magbibigay ng akda:
1. Nakasulat sa
Filipino
2. Politikal ang paksa,
tema o kinokomentuhan
3. Magaganap ang buong
kwento habang lulan ng isang midyum o behikulo ng paglalakbay o paglagalag,
sa pisikal man na pangyayari o sa lebel ng kamalayan. Halimbawa, bus,
dyip, taxi, pedicab, padyak, bisikleta, pagtakbo, habal-habal, MRT, LRT, tren,
eroplano, space ship, at iba pa, o kaya’y panaginip, sapi, virtual na mundo,
near-death experience, literal o figuratibo, at iba pa.
4. Sampung (10)
pahina ang minimum at labinglima (15) ang maximum na pahina, double-space, 12
font size, Times Roman na font.
5. Tumatalakay sa mga
kontemporaryong usaping panlipunan.
Tulad ng mga naging
proseso sa mga naunang proyekto, inaasahang magiging bukas sa rebisyon ang mga
akda upang tumugon sa kahilingan ng katumpakan sa tema at iba pang malikhaing
kahilingan. Matapos makagdesisyon ang mga editor, ang final na desisyon
ay nakasalalay sa magiging pablisyer nito.
Ipadala ang manuskrito
sa transfictionbook@yahoo.com. Deadline ng kontribusyon ay sa Agosto 31,
2011. Isumite ang akda kalakip ang tatlong pangungusap na tala tungkol sa
sarili.
JUN CRUZ REYES BOOK LAUNCH AND ONE MAN EXHIBIT AT THE CRUCIBLE, MEGAMALL
Jun
Cruz Reyes is back in the art scene. He is mounting his fifth one-man
exhibit called “Ang Huling Dalagang Bukid at ang Autobiography na Mali”
on June 14, 2011, 6pm at the Crucible Art Gallery, 4th floor, Building
A, SM Megamall, Mandaluyong City. He is exhibiting his latest
works in pen and ink featuring the Dalagang Bukid series,
inspired his childhood in his hometown, Hagunoy.
Another
highlight of the event is the launching of his book of the same title
published by Anvil Publishing. It has the same theme with his
artworks and more, written in his trademark use of street language in
expressing his characteristic wit and humor.
Reyes,
mainly known as a fictionist through his prose works “Utos ng Hari” and
“Tutubi, Tutubi…,” is a versatile writer and has been awarded by
different literary institutions such as the Don Carlos Palanca Memorial
Awards for Literature, the National Book Awards, Komisyon sa Wikang
Filipino among others for his poetry, non-fiction, short stories, and
novels. To date, Reyes has authored ten literary books, nine of
which are either award-winning or recipient of literary grants.
He
has also shown his versatility in other fields like painting, drawing,
and film making, where he won in the 1986 Catholic Mass Media Awards
for his film documentary. The multi-talented artist had his last
one-man show last 2000 where he featured his painting and
sculptured chairs together with the launch of the novel
“Etsa-Pwera,” which won first prize for the novel in Filipino at
the Philippine National Centennial Literary Awards in 1998.
Reyes
is currently teaching creative writing courses at the University of the
Philippines. He is also a fellow of the prestigious UP Institute of
Creative Writing.
FREE LECTURE OPENS LIRA POETRY CLINIC THIS JUNE 4 On
June 4, 2011 (Saturday), the annual Filipino poetry clinic of the
Linangan sa Imahen, Retorika, at Anyo (LIRA) kicks off with a lecture
by National Artist for Literature Virgilio S. Almario, also known as
the poet Rio Alma. The lecture titled "Reklamasyon sa Pambansang
Gunita" will be held at 1:00 PM in Room 201 of the College of Arts and
Letters New Building in UP Diliman, Quezon City. The lecture is free
and open to the public.
For
more details, please contact Louie Jon. A Sanchez, LIRA public
relations officer, at 0927-7714732 send an email to
pamunuan@liraonline.org. The orientation of the new Fellows of the
Clinic will be held in the morning starting at 9:00 AM, and will be
closed to the public.
The
LIRA Poetry Clinic has been held yearly since 1985, featuring lectures
and workshops focusing on the different aspects of poetry. Its
workshops have produced award-winning poets such as Roberto Añonuevo,
Rebecca Añonuevo, Romulo Baquiran Jr., Michael Coroza, Vim Nadera,
Jerry Gracio, and Edgar Samar.
Dr.
Michael Coroza will serve as the Director of the 2011 Poetry Clinic;
Phillip Yerro Kimpo Jr. is the current President of LIRA.
* * *
Klinikang Pampanulaan ng LIRA, Bubuksan ng Libreng Panayam
Magsisimula
sa Hunyo 4, 2011 (Sabado) ang taunang klinikang pampanulaan ng Linangan
sa Imahen, Retorika, at Anyo (LIRA). Bubuksan ito ng isang panayam mula
sa Pambansang Alagad ng Sining para sa Panitikan Virgilio S. Almario,
kilala bilang ang makatang Rio Alma. Ang panayam, "Reklamasyon sa
Pambansang Gunita" ay magsisimula nang 1:00 ng hapon sa Room 201 ng
College of Arts and Letters sa UP Diliman, Lungsod Quezon. Ang nasabing
panayam ay libre at bukas sa publiko.
Para
sa karagdagang detalye, maaaring magtanong kay Louie Jon. A Sanchez,
ugnayang pangmadla ng LIRA, sa 0927-7714732, o kaya'y magpadala ng
email sa pamunuan@liraonline.org. Gaganapin sa umaga ang oryentasyon ng
mga bagong Fellow ng Klinika, at sarado ito sa publiko.
Simula
pa noong 1985 idinadaraos ng LIRA ang kanilang taunang klinika na
nagsasagawa ng mga panayam at palihang tumatalakay sa iba't ibang
aspekto ng tula. Sa mga palihan ng LIRA nagmula ang mga premyadong
makata tulad nina Roberto at Rebecca Añonuevo, Romulo Baquiran Jr.,
Michael Coroza, Vim Nadera, Jerry Gracio, at Edgar Samar.
Si Dr. Michael Coroza ang magsisilbing Direktor ng Klinika 2011; si Phillip Yerro Kimpo Jr. ang kasalukuyang Pangulo ng LIRA.
DLSU CENTENNIAL BOOK LAUNCH SET FOR JUNE 17
For its Centennial year, the De La Salle University is releasing
the Centennial Set -
a 17-book collection that captures the 100-year spirit of De La Salle
University on Friday, June 17 at the Metropolitan Museum of Manila
Bangko Sentral ng Pilipinas Complex, Roxas Boulevard, Manila. The
launch will start at 4 p.m.
The
Centennial Set will be available for P15,000. Deliveries can be
arranged after the launch. For more details and inquiries, please call 524-4611 local 390 and ask for Cora or Joanne.
The following books will be launched:
1. The De La Salle University Story – Vol. 1
De La Salle University in the Republic of the Philippines Brothers’ District
By Br. Andrew B. Gonzalez FSC
2. The De La Salle University Story – Vol. 2
The Early Years
By Cirilo F. Bautista
3. The De La Salle University Story – Vol. 3
From the Blood of Martyrs: 25 Years of the Rebuilding and Development
of De La Salle College (1946-1971)
By Marjorie M. Evasco
4. The Fellowship Lectures
Edited by Susan M. Gallardo
5. Dadaanin
Edited by Alwin C. Aguirre and Ernesto V. Carandang II
6. 100 Haiku
By Tereso S. Tullao, Jr.
7. A Treat of 100 Short Stories
Edited by Gerardo Z. Torres
8. 100 Poems: Cirilo F. Bautista
Edited by Santiago B. Villafania
9. Sagurong
Edited by Paz Verdades M. Santos and Kristian Sendon Cordero
10. Selected Studies in Environment and Health
Edited by Exaltacion E. Lamberte
11. Rethinking Perspective and Practices: Thriving Moving Out of Poverty in Cities
By Exaltacion E. Lamberte
12. Filipino Colonial History and Legacy
Edited by Ferdinand D. Dagmang
13. Studies in Religion and Theology: Issues and Perspective
Edited by Rito V. Baring
14. Feminista Gender, Race and Class in the Philippine
Edited by Noelle Leslie G. de la Cruz and Jeane C. Peracullo
15. Issues and Trends in Applied Linguistics in the Philippines
Edited by Shirley N. Dita
16. Promoting Philippines Enterprise Development
Edited by Andrea L. Santiago
17. The De La Salle University Press
By Agnes P. Malcampo
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