poetry
FOUR POEMS BY JOSE MARTE ABUEG
Weep, Simon
You know it happened not because He predicted it and so things moved quickly across infinity to be dead at three o’clock. It was because you sank, likely entangled in the cat-o’-nine-tails in your head, and the thorn wreath, the cross, and the boat nails — were you petrified, Simon, that in your case, if it were you, everything would end at that, because unlike Him you are merely human?
Thrice you were asked and thrice you wished you could hide and disappear like the believers who were on the mount and the multitudes who were convinced that He was earth, water, air and heaven, you looked around and they were nowhere.
How should you have replied, Simon? Should you have declared: Yes, I am with Him, He is the one light I follow, the loved and loving Master who has made me walk on water and made me a fisher of men; I will go up to the altar, open my flesh and offer my blood — I shall take His place and His passion and so myself become like God?
You thrashed about like a fish newly caught in a net of panic and dim haze. You fought and tried to cut it; you groped and found inside you neither blade nor heart nor depth. Even His words puzzled and mystified you, uttered softly, a prayer so pained and all too human: “Take this cup away from me.” All things turned into a sunless desert, and like a chicken terrified you thrice cackled a confused and cowardly denial.
But Simon, you had every reason to be afraid. You're no divine temple, you will not, at the third sunrise, be rebuilt, the sea will not, by just your will, hold you up on your feet, and its winds, its horrendous winds will heed no command from you.
Simon, you are a rock broken, a mortal mass of fragments, and the truth facing you, whole and deathless, is the knowledge that the choice was yours to make, yours alone, and that you will forever be just a man.
And he went out, and wept bitterly.
– Luke 22:62
Death in the Afternoon
Mid-afternoon, a half-moon appears In the east. It was on a Friday, this hour. A lance below the heart confirmed the end Of the man who declared, I am the light . . .
They all suddenly stopped moving, The olive leaves. Around the thorn trees The coarse winds have ceased, and nowhere Are the sharp-edged shadows of three o’clock.
Heaven has changed to the color of soot, Confusing time, overturning the real, as though A sorrowful mystery is reversing everything and Gloom is a cloak cast from underneath, from earth.
It’s because of the happening at the Place of the Skull, The one foretold, a penultimate truth: The man Is dead. On the third day, after the Sabbath, Be ready to understand what is written.
The man carrying a jar
And
he sent two of his disciples, and said to them, "Go into the city, and
a man carrying a jar of water will meet you; follow him, and wherever
he enters, say to the householder, `The Teacher says….'” – Mark 14:13-14
The
wells look alike around Jerusalem , it occurred to him. This one is the
oldest. That's what the old folks say. As a young man I asked one of
them how certain he was, and he pointed at the sky.
Many
days the sky mirrors the desert or the lake; at night it can look like
the bottom of a very big well. An endless river could be running
underneath that well, another elder said. I didn't understand at the
time.
Many
afternoons I sit around here, watching people and things. Passing
shadows, mostly. And listening to people spilling words, he mused. The
things that matter take longer than an afternoon, an olive picker said.
But most times the words were also shadows, or moths in uncertain space.
This
hour we are shepherds gathering our flocks, said a shopkeeper after
closing up for the day, and a lad walked by with a staff. That boy's
father always passed here at dusk. Nothing ever gets different, a sack
maker said.
Yet there was that Thursday afternoon, during the Passover.
A
house servant, a widow, was having difficulty at the well, so I took
her pail and jar, and filled them up for her. It was her son that
fetched water, she said, but she had sent him for some wine because her
master was having visitors for supper. A teacher was coming, she said,
with twelve others. He glimpsed at the sky, it was starting to get
dark, and he heard without listening.
The
widow's words were turning into moths when she tapped his arm. Be kind
a little bit more and take this jar to my master's house for me,
please, I must hurry with this pail to prepare the large upper room and
the long table.
There
where I was walking I saw two men arrive, they saw me and I nodded, I
carried the jar of water and they followed. There were no words. I did
not know and yet I knew—the teacher had sent them.
There
was a kind of quiet and there was not, there was a kind of brightness
and there was not. Through the desert, the lake and the sky it came and
it did not. It was infinity passing through and it was not.
Passover Days
And He said, "Go into the city to a
certain man, and say to him, ‘The Teacher says, My time is near …’”
–
Matthew 26:18
I.
When Grandmother
said, I cannot hear the twilight anymore, Father thought to move her to the large
upper room.
Wide walls, two small
windows, a wooden post at the center; Father sometimes slept in that room, in a
narrow bed, by a stone corner for a fire, seldom used; in the expanse of space,
Aaron once circled like a butterfly that had flown in, fluttering, I seated on
the floor, wanting to do the same.
Grandmother slept by
the door of the pantry. Liked listening to the grains in the bins, the lentils
in the bowls, the water in pitchers and wine in jars, she said.
We should listen to
soundless things, she often said. The last time, we were at the patio, I by the
doorway watching Aaron chasing pigeons under the sycamore, branches leaning, crown
spread wide. There are not enough sounds for all the mysteries, she said.
A gift your
grandmother has, Father tried to explain to Aaron and me.
Much affection;
much sand and dust on his feet and sandals.
II.
Tried to catch a
pigeon once, I couldn’t; we cheered, laughed loud, when Aaron caught a fish, the
sky bright over Galilee. Boys’ hearts that listen are heir to heaven,
Grandmother said to the two of us.
Things look very
different up here, Aaron said, perched on a branch of the sycamore, I seated on
a big root, the three of us looking skyward. It’s what birds see, Grandmother
said, it’s what angels see. Look there, she pointed to connecting clouds,
clouds are like secrets before secrets are known. When it rains, there are rivers
and wells everywhere.
III.
When Grandmother said she could hear a lamb coming from the field, Father said it was better for her to rest.
Birthplace Of sorrow
Stream Of wounds
Long airless night,
hollow in the belly, too empty the house, Aaron climbing the post in the large
upper room, was told to be careful, I by the door, hearing two servants outside
whisper to themselves the time was come.
At close to
midnight, mute the large room, the two small windows, the door, the stairs;
down in the pantry, mute the wheat, barley, millet and raisins, mute the jars,
mute the water; out in the patio, soundless the sycamore.
IV.
Aaron went. Aaron.
Suddenly Aaron went.
I hollow. Hollow
the head.
Blank. No breath.
No air.
The house, the
rooms, the patio, all empty, all nothing.
Childhood became an
absent window. Birds departed the sycamore. Leaves died.
In the lake the
fish went absent, boats arrived bare. The shore lay like a place without
memory.
Understanding came
slow.
V.
Sometimes people
have to be like houses, Father said, as though hoping to explain his days. We need
walls, our windows we sometimes have to keep shut.
Those are fine branches,
he said on another night, out in the patio.
The coming and
going of time, that’s outside our making. Sometimes some of us are able to flow
better than others. Some are of us fortunate, a few are blessed.
The farewell I understood much, much later.
VI.
The house will be
sold, I told the servants. We will live away from here.
VII.
Mostly sounds of
strangers now in the old house, itinerants, transients; I visiting again for another
Passover; the pantry a seldom used space, the large upper room a supper room for
journeymen who have no one in Jerusalem.
All quite lifeless to
me, save for the sycamore, with its kind shade.
VIII.
His disciples came
to him and said, "This is a lonely place, and the hour is now late.”
–
Mark 6:35
The girl was dead. One
of the servants’ sons, normally reticent, came running from the synagogue. They
said the little girl was dead, but the teacher, from Nazareth, told them she
was not dead but asleep. They laughed and he had them sent out.
And then he told
the girl to get up, and she did, she began walking. He said to give her food.
He told them to tell no one.
IX.
Alone on foot for many
days, to Bethany, to Jericho, to Galilee, to Judea; and then on hillsides, at
edges of water with the multitudes; I listened, heard words that could heal
even the dead. “Blessed
are those who mourn.”
X.
Thursday during the
Passover, visiting in Jerusalem; renting the supper room in the old house;
starting to get dark outside; the water jar brought in.
Two men carrying
nothing, in a voice that seemed from behind or beyond them, to me: “The Teacher
says, ‘My time is near; I am to keep the Passover at your house with my
disciples.’”
XI.
In quiet space, like
a vivid dream; Grandmother, Father behind her, Aaron high among leaves of the
sycamore; I bowing, bowing deep, wanting to speak, to say hail, to find a
prayer to say; the silence pure, the sound of faith, like rain filling everything;
our house resurrecting.
XII.
Jonah, son, can you hear my
voice? I can no longer hear the twilight.
Mother, I will ask to have you moved to the big room upstairs so
nothing will disturb you.
But there is a lamb, somewhere
coming from the field.
It is getting late, Mother. Better
that you rest.
XIII.
Smell of smoke No spice
Flat on the plate A piece of bread
Small, plain, ordinary A cup
XIV.
The room is silent, they are eating, Jonah. A long table, a fire at the
rear, a man with his friends, a frugal supper, some wine and bread dipped in herbed
oil.
Mother, it is only the boys. Aaron, be careful.
The room, the
table, the wood in the fire, the walls, they all breathe.
It
is the window curtains being drawn, Mother.
XV.
A
solitary voice, real, human, divine; Jonah, listen.
XVI.
Take, eat; this is my body.
XVII.
The words
As written
XVIII.
I should rest now. Where is
Abigail? I do not see her.
Abigail went a long time ago,
Mother.
But she has not left you and the
children, Jonah. I often hear her around the house.
Mother, when you do, Mother,
tell her the sycamore in the patio, I planted it for her.
A gift your grandmother has, boys, a true blessing.
Come and say goodnight now. Aaron, take your
brother downstairs. Tell the servants to light the lamps.
XIX.
When they had sung the hymn, they went
out to the Mount of Olives.
– Matthew 26:30
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